Fatherlessness and John Lennon, Hugh Hefner, Eminem and Others
Evan Nehring, a frequent commenter on this blog, let me know about this fascinating book review in New York Magazine.
The reviewer, Sam Anderson, talks about reading a stack of disparate biographies and starting to draw parallels from them, focusing on biographies of, of all people, Arthur Rimbaud, Hugh Hefner, Emily Post, John Lennon and Eminem. Evan commented that it makes for an interesting portrait of what we call Stage 3 on this blog (see the note on "Stage 4 faith" for background). It most directly comments on the cost of fatherlessness. Here are two paragraphs that particularly grabbed me.
Illustration by Gluekit, Getty Images (Rimbaud); Bettmann Corbis (Post); Kevin Mazur/WireImage (Eminem); Friedhelm V. Estorff/K & K Center of Beat/Retna (Lennon); Patrick McMullan (Hefner))
The pop-psychological common denominator in these five lives seems to be an absent father. (As Eminem puts it, with his signature grace: "It takes a real special kind of asshole to abandon a kid.") Rimbaud's father walked out on his family when Arthur was 6, leaving the boy all alone to systematically outrage his unsmiling, conservative mother… Emily Post's father, a seminal architect during New York's early skyscraper boom, worked such late hours he often slept over at gentlemen's clubs—Emily idolized him from a distance while spending mundane hours with her mother. Hefner's father was a workaholic bookkeeper… Lennon's dad was a luckless merchant seaman who disappeared for long stretches, leaving the boy to bounce between relatives; in probably the most tragic scene in this entire bio-pile, 5-year-old John's parents actually forced him to choose between them. He picked his father, then ran crying after his mother when she turned to go.
All five of these figures warmed their hands around a common fire: the public performance of morality. Fatherlessness seems to have frozen them in a kind of permanent adolescence. They answered adult questions (How should one behave?) prematurely and exaggeratedly, then stubbornly clung to those answers for life. Their careers were built entirely on bad manners—whether excoriating them, glorifying them, or reveling in them. They sacrificed their lives to oversize visions of righteous living. And while they all have their own special failures and triumphs—that's what makes them fit for biography—the saddest figures, to me, for precisely opposite reasons, are Rimbaud and Hefner. The French poet burned through his world-stomping revolutionary phase in less time than it takes most people to finish college. By 19, he was facing a whole second lifetime of pure sad, unheroic frustration: He wound up in Africa, trying unsuccessfully to get rich, and died of very painful cancer at 37. Hefner, on the other hand, still clings to his adolescence. At 82, he brags of being a "babe magnet" and collects young platinum-blonde "girlfriends."
I don't have any deep insight here (except to wish that Sam Anderson had pulled off a whole book out of this material, rather than just a mere review), but it makes me wonder if one of the benefits of the kind of faith we talk about here is some kind of spiritual healing of our own father wounds. Does it require God healing this part of us to be able to walk into the kind of uncertain adventure of faith we have in mind here? Without that healing, are we doomed either to holding onto conventional norms… or to sneering at people who hold onto conventional norms? Have you experienced this?








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